SKU: 88053512695
ladies dress capris

ladies dress capris Women's Capri Leggings with Pockets

$20.19 $22.43
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Size: 4
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Ships within 48 hours · Estimated delivery Jul 23 - Jul 28

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Description

ladies dress capris Women's Capri Leggings with PocketsAll cotton leggings are hard to find (especially organic). And this crop version has the handy hip pockets we all need to stash our phones and keys. Same great fit as our original leggings, these capri leggings with pockets are slim through the legs but not tight fitting. They feature a comfy, flat lying elastic waistband. Soft, mid weight 100% Pima cotton interlock fabric is knit to achieve 'mechanical stretch' wonderfully comfortable, stretchy, and

All-cotton leggings are hard to find (especially organic). And this crop version has the handy hip pockets we all need to stash our phones and keys. Same great fit as our original leggings, these capri leggings with pockets are slim through the legs but not tight fitting. They feature a comfy, flat-lying elastic waistband. Soft, mid-weight 100% Pima cotton interlock fabric is knit to achieve 'mechanical stretch' - wonderfully comfortable, stretchy, and spandex-free.

  • All-cotton leggings do not fit as tight as typical synthetic leggings; many customers size down for the best fit.  
  • 100% organic Pima cotton interlock
  • All-cotton leggings will stretch as you wear them; fabric recovers with washing and drying. 
  • Fair Indigo's cotton, yarns, fabrics, and dyes are GOTS certified
  • 16.5" inseam
  • Stash pockets at hip
  • Flat-lying 1" elastic waistband
  • Machine wash
  • Fairly made in Lima, Peru

[bc-pdp-image first="yes" image="https://cdn.shopify.com/s/files/1/0028/2525/7027/files/serena-fabric.jpg?v=1613850167" imagealign="left" title="Ingenious fabric stretches without spandex" body="Our signature ALL-COTTON INTERLOCK Serena fabric is more substantial than our Eterna or Pura fabrics. Its ingenuity is its ability to stretch without spandex. This is called mechanical stretch, achieved by the meticulously designed structure of the yarns. The fabric is washed before it's cut and sewn, an uncommon but very beneficial step. It not only ensures your leggings won't shrink, but also prevents puckering and twisting around seams that often happens in your dryer when sewing threads shrink but fabric doesn't. True investment-quality fabric!" link="/collections/interlock-organic-tops-and-dresses" linktext="See all Serena"] [bc-pdp-image image="https://cdn.shopify.com/s/files/1/0028/2525/7027/files/organic-cotton.jpg?v=1590681234" imagealign="top" title="Organic Pima Cotton: the best on earth" body="Why will your organic cotton leggings feel otherworldly soft right out of the bag and endure beautifully for years? Because we use the top 0.05% (not a typo) of cotton available. Softest and strongest aren't often used to describe a single fiber. Except when it's organic Peruvian Pima cotton. Ours is grown on two family farms and harvested with care by hand. Simply the best cotton you'll find anywhere on the planet." link="/pages/organic-pima-cotton" ] [bc-pdp-image image="https://cdn.shopify.com/s/files/1/0028/2525/7027/files/safe-dyes-1.jpg?v=1590681234" imagealign="right" title="True colors" body="All of our dyes are certified to the most stringent safety standards such as the Oeko-tex 100 standard. They're tested for literally hundreds dangerous substances like Azo colorants, formaldehyde, pentachlorophenol, cadmium, and nickel. Our dyes meet or exceed the US Consumer Product Safety Improvement Act (CPSIA) regarding lead and the European Chemical Regulation (REACh)." ] [bc-pdp-image image="https://cdn.shopify.com/s/files/1/0028/2525/7027/files/quality.jpg?v=1591571006" imagealign="left" title="Quality clothing step by step" body="You've probably heard the expression 'less is more.' At Fair Indigo, we're inspired by the idea striving for LESS. A saner wardrobe that makes use of timeless 'forever in fashion' pieces you'll go back to time and again. That's why we build in quality - from the cotton and dyes we select to the extra processes we implement to create a garment you'll love for years. Buy better, buy less, live fully." link="/pages/quality-clothing"] [bc-pdp-image image="https://cdn.shopify.com/s/files/1/0028/2525/7027/files/ethically-made-9.jpg?v=1590683284" imagealign="top" title="Ethically made clothing feels GREAT to wear" body="Often when apparel brands talk about sustainability, they are talking about making clothing that respects the environment and its limited resources - something to be applauded for sure. But at Fair Indigo, it also means sustainable lives for the world's garment workers. And a sustainable business model that prices clothing fairly, not too-good-to-be-true low (a signal the people were left out of the equation) nor artificially high to promote a future 70% off sale. It's time to move beyond fast fashion. For good." link="/pages/ethically-made-clothing" ] [bc-pdp-image image="https://cdn.shopify.com/s/files/1/0028/2525/7027/files/fi-foundation-10.jpg?v=1590681162" imagealign="top" title="Making a big impact" body="In addition to living wage jobs, we believe the key to transforming communities from poverty to prosperity is education. The Fair Indigo Foundation funds teachers' salaries, books, building improvements, and computer labs for children who otherwise were being left behind. And it's so easy to make a big difference - just check the $5 donation box at checkout. Your $5 donations have literally transformed the lives of children, their families, and their community." link="/products/donation-to-fi-foundation" ]

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 88053512695

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4.1 ★★★★★
Based on 13 reviews
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M
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Mr. Watkins
Omaha, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
New York, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
New York, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Charlottesville, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
Verified Purchase
johnf
Battle Creek, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016

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